Zach’s Favorite Films of the Silent Era (1890s-1920s)
1929
- H2O (Ralph Steiner, USA)
- BLACKMAIL (Alfred Hitchcock, UK)
- PANDORA’S BOX (G.W. Pabst, Germany)
- UN CHIEN ANDALOU (Luis Buñuel, France)
- THUNDERBOLT (Josef von Sternberg, USA)
- PERFECT DAY (James Parrott, USA)
- RAIN (Joris Ivens, Netherlands)
- MAN WITH A MOVIE CAMERA (Dziga Vertov, USSR)
- THE LOVE PARADE (Ernst Lubitsch, USA)
- QUEEN KELLY (Erich von Stroheim, USA)
- DIARY OF A LOST GIRL (G.W. Pabst, Germany)
- A STRAIGHTFORWARD BOY (Yasujirō Ozu, Japan)
1928
- THE DOCKS OF NEW YORK (Josef von Sternberg, USA)
- STEAMBOAT BILL JR. (Charles Reisner and Buster Keaton, USA)
- THE PASSION OF JOAN OF ARC (Carl Theodor Dreyer, France)
- GRASS: A NATION’S BATTLE FOR LIFE (Merian C. Cooper and Ernest B. Schoedsack , USA)
- IMPATIENCE (Charles Dekeukeleire, Belgium)
- FOUR SONS (John Ford, USA)
- PASS THE GRAVY (Fred Guiol and Leo McCarey, USA)
- THE FARMER’S WIFE (Alfred Hitchcock, UK)
- OCTOBER (TEN DAYS THAT SHOOK THE WORLD) (Sergei Eisenstein and Grigori Aleksandrov, USSR)
- RILEY THE COP (John Ford, USA)
1927
- SUNRISE: A SONG OF TWO HUMANS (F.W. Murnau, USA)
- THE STUDENT PRINCE IN OLD HEIDELBERG (Ernst Lubitsch, USA)
- METROPOLIS (Fritz Lang, Germany)
- THE LODGER: A STORY OF THE LONDON FOG (Alfred Hitchcock, UK)
- COLLEGE (Buster Keaton and James W. Horne, USA)
- THE BATTLE OF THE CENTURY (Clyde Bruckman, USA)
- UNDERWORLD (Josef von Sternberg, USA)
- SEVENTH HEAVEN (Frank Borzage, USA)
- THE LOVE OF SUNYA (Albert Parker, USA)
- IT (Clarence G. Badger, USA)
1926
- THE GENERAL (Clyde Bruckman and Buster Keaton, USA)
- MÉNILMONTANT (Dimitri Kirsanoff, France)
- A PAGE OF MADNESS (Teinosuke Kinugasa, Japan)
- THE ADVENTURES OF PRINCE ACHMED (Carl Koch and Lotte Reiniger, Germany)
- MOTHER (Vsevolod Pudovkin, USSR)
- SO THIS IS PARIS (Ernst Lubitsch, USA)
1925
- LADY WINDERMERE’S FAN (Ernst Lubitsch, USA)
- SEVEN CHANCES (Buster Keaton, USA)
- THE BATTLESHIP POTEMKIN (Sergei Eisenstein, USSR)
- THE BIG PARADE (King Vidor, USA)
- THE GOLD RUSH (Charlie Chaplin, USA)
- THE PHANTOM OF THE OPERA (Rupert Julian, USA)
- THE SALVATION HUNTERS (Josef von Sternberg, USA)
- POIL DE CAROTTE (Julien Duvivier, France)
- LAZYBONES (Frank Borzage, USA)
- STRIKE (Sergei Eisenstein, USSR)
1924
- SHERLOCK, JR. (Buster Keaton, USA)
- THE LAST LAUGH (F.W. Murnau, Germany)
- GIRL SHY (Fred C. Newmeyer and Sam Taylor, USA)
- MICHAEL (Carl Theodor Dreyer, Germany)
- BALLET MÉCANIQUE (Fernand Léger and Dudley Murphy, France)
- THE IRON HORSE (John Ford, USA)
- MANHANDLED (Allan Dwan, USA)
- SYMPHONIE DIAGONALE (Viking Eggeling, Germany)
1923
- NORTULLSLIGAN (Per Lindberg, Sweden)
- RHYTHMUS 21 (Hans Richter, Germany)
- THE FIRST DEGREE (Edward Sedgwick, USA)
- RETURN TO REASON (Man Ray, France)
1922
- HÄXAN (Benjamin Christensen, Denmark/Sweden)
- NOSFERATU (F.W. Murnau, Germany)
- COPS (Buster Keaton and Edward F. Cline, USA)
- NANOOK OF THE NORTH (Robert J. Flaherty, USA)
- SALOMÉ (Charles Bryant and Alla Nazimova, USA)
1921
- THE HIGH SIGN (Edward F. Cline and Buster Keaton, USA)
- THE KID (Charlie Chaplin, USA)
1920
- NEIGHBORS (Buster Keaton and Edward F. Cline, USA)
- ONE WEEK (Buster Keaton and Edward F. Cline, USA)
- WAY DOWN EAST (D.W. Griffith, USA)
- THE CABINET OF DR. CALIGARI (Robert Wiene, Germany)
- THE LAST OF THE MOHICANS (Clarence Brown and Maurice Tourneur, USA)
- WITHIN OUR GATES (Oscar Micheaux, USA)
- THE DAUGHTER OF DAWN (Norbert A. Myles, USA)
- JUST PALS (John Ford, USA)
1919
- NERVES (Robert Reinert, Germany)
- BROKEN BLOSSOMS (D.W. Griffith, USA)
1918
- A DOG’S LIFE (Charlie Chaplin, USA)
- BREAD (Ida May Park, USA)
- FATHER SERGIUS (Alexandre Volkoff and Yakov Protazanov, Russia)
1917
- EASY STREET (Charlie Chaplin, USA)
- THE DYING SWAN (Yevgeni Bauer, Russia)
- STRAIGHT SHOOTING (John Ford, USA)
1916
- SHOES (Lois Weber, USA)
- INTOLERANCE (D.W. Griffith, USA)
- A LIFE FOR A LIFE (Yevgeni Bauer, Russia)
1915
- FILIBUS (Mario Roncoroni, Italy)
- AFTER DEATH (Yevgeni Bauer, Russia)
- ALIAS JIMMY VALENTINE (Maurice Tourneur, USA)
- THE CASE OF BECKY (Frank Reicher, USA)
1914
- FANTÔMAS: FANTÔMAS AGAINST FANTÔMAS (Louis Feuillade, France)
- IN THE LAND OF THE HEAD HUNTERS (Edward S. Curtis, USA)
- THE LAST OF THE LINE (Jay Hunt, USA)
1913
- FANTÔMAS: JUVE AGAINST FANTÔMAS (Louis Feuillade, France)
- FANTÔMAS: IN THE SHADOW OF THE GUILLOTINE (Louis Feuillade, France)
- SUSPENSE (Lois Weber and Phillips Smalley, USA)
- FANTÔMAS: THE DEAD MAN WHO KILLED (Louis Feuillade, France)
- TWILIGHT OF A WOMAN’S SOUL (Yevgeni Bauer, Russia)
- THE INSECTS’ CHRISTMAS (Wladyslaw Starewicz, Russia)
- GERMINAL (Albert Capellani, France)
1912
- HOW A MOSQUITO OPERATES (Winsor McCay, USA)
- AN UNSEEN ENEMY (D.W. Griffith, USA)
1911
- TK
1910
- RAMONA (D.W. Griffith, USA)
1909
- A CORNER IN WHEAT (D.W. Griffith, USA)
1908
- TK
1907
- TK
1906
- TK
1905
- NEW YORK SUBWAY (Billy Bitzer, USA)
1904
- TK
1903
- MARY JANE’S MISHAP (George Albert Smith, USA)
- THE GREAT TRAIN ROBBERY (Edwin S. Porter, USA)
1902
- THE FLYING TRAIN (Uncredited, Germany)
- A TRIP TO THE MOON (Georges Méliès, France)
1901
- THE BIG SWALLOW (James Williamson, UK)
1900
- ATTACK ON A CHINA MISSION (James Williamson, UK)
1899
- TK
1898
- SOMETHING GOOD — NEGRO KISS (William Nicholas Selig, USA)
1897
- LAVEUSES SUR LA RIVIÈRE (Louis Lumière and Auguste Lumière, France)
1896
- THE ARRIVAL OF A TRAIN AT LA CIOTAT (Louis Lumière and Auguste Lumière, France)
- DEMOLITION OF A WALL (Louis Lumière and Auguste Lumière, France)
1895
- BOAT LEAVING THE PORT (Louis Lumière, France)
- WORKERS LEAVING THE LUMIÈRE FACTORY (Louis Lumière and Auguste Lumière, France)
- TABLES TURNED ON THE GARDENER (Louis Lumière and Auguste Lumière, France)