Zach’s Favorite Films of the 1930s
1939
- THE RULES OF THE GAME (Jean Renoir, France)
- ONLY ANGELS HAVE WINGS (Howard Hawks, USA)
- THE WIZARD OF OZ (Victor Fleming, USA)
- WHEN TOMORROW COMES (John M. Stahl, USA)
- STAGECOACH (John Ford, USA)
- YOUNG MR. LINCOLN (John Ford, USA)
- FRONTIER MARSHAL (Allan Dwan, USA)
- LOVE AFFAIR (Leo McCarey, USA)
- DRUMS ALONG THE MOHAWK (John Ford, USA)
- NINOTCHKA (Ernst Lubitsch, USA)
- SANS LENDEMAIN (Max Ophüls, France)
- MIDNIGHT (Mitchell Leisen, USA)
- BACHELOR MOTHER (Garson Kinin, USA)
1938
- BRINGING UP BABY (Howard Hawks, USA)
- HOLIDAY (George Cukor, USA)
- VIOLENT IS THE WORD FOR CULRY (Charley Chase, USA)
- YOU AND ME (Fritz Lang, USA)
- ALEXANDER NEVSKY (Sergei Eisenstein, USSR)
- THE LADY VANISHES (Alfred Hitchcock, UK)
- THE BAKER’S WIFE (Marcel Pagnol, France)
- LA BETE HUMAINE (Jean Renoir, France)
1937
- MAKE WAY FOR TOMORROW (Leo McCarey, USA)
- ANGEL (Ernst Lubitsch, USA)
- THE OLD MILL (Wilfred Jackson and Graham Heid, USA)
- SNOW WHITE AND THE SEVEN DWARFS (David Hand, USA)
- THE AWFUL TRUTH (Leo McCarey, USA)
- STAGE DOOR (Gregory La Cava, USA)
- HISTORY IS MADE AT NIGHT (Frank Borzage, USA)
- EASY LIVING (Mitchell Leisen, USA)
- GRAND ILLUSION (Jean Renoir, France)
- YOUNG AND INNOCENT (Alfred Hitchcock, UK)
- WEE WILLIE WINKIE (John Ford, USA)
- PÉPÉ LE MOKO (Julien Duvivier, France)
1936
- POPEYE THE SAILOR MEETS SINBAD THE SAILOR (Dave Fleischer, USA)
- REMBRANDT (Alexander Korda, USA)
- FURY (Fritz Lang, USA)
- MY MAN GODFREY (Gregory La Cava, USA)
- CEILING ZERO (Howard Hawks, USA)
- MODERN TIMES (Charlie Chaplin, USA)
- CRAIG’S WIFE (Dorothy Arzner, USA)
- THE CRIME OF MONSIEUR LANGE (Jean Renoir, France)
- SABOTAGE (Alfred Hitchcock, UK)
- AFTER THE THIN MAN (W.S. Van Dyke, USA)
- ROSE HOBART (Joseph Cornell, USA)
- SHOW BOAT (James Whale, USA)
1935
- RUGGLES OF RED GAP (Leo McCarey, USA)
- THE GIRL IN THE RUMOR (Mikio Naruse, Japan)
- THE DEVIL IS A WOMAN (Josef von Sternberg, USA)
- STEAMBOAT ROUND THE BEND (John Ford, USA)
- TONI (Jean Renoir, France)
- THE 39 STEPS (Alfred Hitchcock, UK)
- DANCING ON THE MOON (Dave Fleischer, USA)
- SYLVIA SCARLETT (George Cukor, USA)
- SAZEN TANGE AND THE POT WORTH A MILLION RYO (Sadao Yamanaka, Japan)
- THE WHOLE TOWN’S TALKING (John Ford, USA)
- TOP HAT (Mark Sandrich, USA)
1934
- TWENTIETH CENTURY (Howard Hawks, USA)
- THE BLACK CAT (Edgar G. Ulmer, USA)
- IT HAPPENED ONE NIGHT (Frank Capra, USA)
- L’ATALANTE (Jean Vigo, France)
- DOS MONJES (Juan Bustillo Oro, Mexico)
- A STORY OF FLOATING WEEDS (Yasujirō Ozu, Japan)
- THE GODDESS (Yonggang Wu, China)
- LA BELLE DE NUIT (Louis Valray, France)
- JUDGE PRIEST (John Ford, USA)
- THE MAN WHO KNEW TOO MUCH (Alfred Hitchcock, UK)
- THE THIN MAN (W.S. Van Dyke, USA)
- FOG OVER FRISCO (William Dieterle, USA)
1933
- ONLY YESTERDAY (John M. Stahl, USA)
- SNOW-WHITE (Dave Fleischer, USA)
- LAUGHTER IN HELL (Edward L. Cahn, USA)
- THE TESTAMENT OF DR. MABUSE (Fritz Lang, Germany)
- BLOOD MONEY (Rowland Brown, USA)
- GOLD DIGGERS OF 1933 (Mervyn LeRoy AND Busby Berkeley, USA)
- DESIGN FOR LIVING (Ernst Lubitsch, USA)
- DUCK SOUP (Leo McCarey, USA)
- EMPLOYEES’ ENTRANCE (Roy Del Ruth, USA)
- THE STORY OF TEMPLE DRAKE (Stephen Roberts, USA)
- THE SIN OF NORA MORAN (Phil Goldstone, USA)
- THE MYSTERY OF THE WAX MUSEUM (Michael Curtiz, USA)
- MAN’S CASTLE (Frank Borzage, USA)
- SHE DONE HIM WRONG (Lowell Sherman, USA)
- THE SILVER CORD (John Cromwell, USA)
- DELUGE (Felix E. Feist , USA)
- THE INVISIBLE MAN (James Whale, USA)
- PASSING FANCY (Yasujirō Ozu, Japan)
- KING KONG (Merian C. Cooper and Ernest B. Schoedsack, USA)
1932
- BACK STREET (John M. Stahl, USA)
- A FAREWELL TO ARMS (Frank Borzage, USA)
- TROUBLE IN PARADISE (Ernst Lubitsch, USA)
- SHANGHAI EXPRESS (Josef von Sternberg, USA)
- BOUDU SAVED FROM DROWNING (Jean Renoir, France)
- SCARFACE (Howard Hawks, USA)
- AFRAID TO TALK (Edward L. Cahn, USA)
- FALSE FACES (Lowell Sherman, USA)
- BLONDE VENUS (Josef von Sternberg, USA)
- DOCTOR X (Michael Curtiz, USA)
- JEWEL ROBBERY (William Dieterle, USA)
- ISLAND OF LOST SOULS (Erle C. Kenton, USA)
- I WAS BORN, BUT... (Yasujirō Ozu, Japan)
- THE OLD DARK HOUSE (James Whale, USA)
- VAMPYR (Carl Theodor Dreyer, France/Germany)
- FREAKS (Tod Browning, USA)
- ONE HOUR WITH YOU (Ernst Lubitsch, USA)
- SHE WANTED A MILLIONAIRE (John G. Blystone, USA)
- MINNIE THE MOOCHER (Dave Fleischer, USA)
- THE TRIAL OF VIVIENNE WARE (William K. Howard, USA)
- AIR MAIL (John Ford, USA)
- BIRD OF PARADISE (King Vidor, USA)
- THE CROWD ROARS (Howard Hawks, USA)
- THE BROKEN LULLABY (Ernst Lubitsch, USA)
1931
- SEED (John M. Stahl, USA)
- LA CHIENNE (Jean Renoir, France)
- M (Fritz Lang, Germany)
- DISHONORED (Josef von Sternberg, USA)
- A HOUSE DIVIDED (William Wyler, USA)
- KAMERADSCHAFT (G.W. Pabst, Germany)
- TRANSATLANTIC (William K. Howard, USA)
- FRANKENSTEIN (James Whale, USA)
- QUICK MILLIONS (Rowland Brown, USA)
- SAFE IN HELL (William A. Wellman, USA)
- DRACULA (Tod Browning, USA)
- THE SMILING LIEUTENANT (Ernst Lubitsch, USA)
- THE CHAMP (King Vidor, USA)
- CITY LIGHTS (Charlie Chaplin, USA)
- ENTHUSIASM (Dziga Vertov, USSR)
- RICH AND STRANGE (Alfred Hitchcock, UK)
1930
- MOROCCO (Josef von Sternberg, USA)
- THE BIG TRAIL (Raoul Walsh, USA)
- HER MAN (Tay Garnett, USA)
- THE DAWN PATROL (Howard Hawks, USA)
- EARTH (Alexander Dovzhenko, USSR)
- L’AGE D’OR (Luis Buñuel, France)
- HOG WILD (James Parrott, USA)
- ALL QUIET ON THE WESTERN FRONT (Lewis Milestone, USA)
- MURDER! (Alfred Hitchcock, UK)
- BRATS (James Parrott, USA)
- THE BLUE ANGEL (Josef von Sternberg, Germany)
- THE STORM (William Wyler, USA)